The process of literary translation

According to Ziaul Haque of Sylhet International University, one of the main problems affecting literary translators is that they forget that the various elements work together in a dialectical relationship within a literary work. Along with expanding secular education, printing transformed an overwhelmingly illiterate society into a partly literate one.

Many non-transparent-translation theories draw on concepts from German Romanticismthe most obvious influence being the German theologian and philosopher Friedrich Schleiermacher.

The Indian epic, the Ramayanaappears in many versions in the various Indian languagesand the stories are different in each.

By contrast, "formal equivalence" sought via "literal" translation attempts to render the text literally, or "word for word" the latter expression being itself a word-for-word rendering of the classical Latin verbum pro verbo —if necessary, at the expense of features natural to the target language.

Lawrence Venuti Adapted translation retains currency in some non-Western traditions. To better understand Galen, scholars have attempted a back-translation of such works to reconstruct the original Greek. And getting a sentence or a bit of The process of literary translation to sound right — so right that it seems inevitable — is deeply satisfying, even exhilarating.


Portions of the original French-language manuscript were subsequently lost; however, the missing fragments survived in a Polish translation that was made by Edmund Chojecki in from a complete French copy, now lost. This has not always been the case, however; there have been periods, especially in pre-Classical Rome and in the 18th century, when many translators stepped beyond the bounds of translation proper into the realm of adaptation.

Dryden is believed to be the first person to posit that English sentences should not end in prepositions because Latin sentences cannot end in prepositions. On the contrary, they represent a spectrum of translation approaches.

Translation into Russian is of particularly great importance for the intense interaction and mutual enrichment of fraternal literatures.

Difficulties of Literary Translation – Translating between a Rock and a Hard Place

All the more so when translating a major author such as Mizumura. This seems clear evidence that these tales or at least large portions of them were originally written in Low German and translated into High German by an over-metaphrastic translator.

In recent decades, prominent advocates of such "non-transparent" translation have included the French scholar Antoine Bermanwho identified twelve deforming tendencies inherent in most prose translations, [30] and the American theorist Lawrence Venutiwho has called on translators to apply "foreignizing" rather than domesticating translation strategies.

Similar examples are to be found in medieval Christian literature, which adjusted the text to local customs and mores.

John Dryden Transparency is the extent to which a translation appears to a native speaker of the target language to have originally been written in that language, and conforms to its grammar, syntax and idiom.

Machine translation has a role to play — and no doubt an increasing one — but it is doomed to be literal, to merely skim the surface.

Literary Translation

Current Western translation practice is dominated by the dual concepts of "fidelity" and "transparency". Our brain is so good at comprehending language that we do not usually notice. For example, in medieval Europe, when the Bible and other religious books accounted for most of the works translated into the new languages, literal translation prevailed.

In his seminal lecture "On the Different Methods of Translation" he distinguished between translation methods that move "the writer toward [the reader]", i.Machine translation (MT) is a process whereby a computer program analyzes a source text and, in principle, produces a target text without human intervention.

However, in the case of literary translation, various concerns, such as subjective interpretation of the original text, distinguish this translation process from that involved in non-literary translations.

Literary translation has occurred for centuries (the Bible is a prime example). And with Nobel Prize winners like French author Patrick Modiano, it’s unlikely to disappear anytime soon.

Translation process is an artistic communication between the author, the translator and the reader and the words used by the translator constitutes the major part in the process of communicating ideas or feelings of the author.

the process of translating the Trilogy as a literary text. Since few studies have dealt with all nuances of pragmatic meaning in literary translation, many aspects of this area may still need further investigation.

The present study is an attempt to attract translators’ attention to the pragmatic features of a text. Literary Translation. Translation process is an artistic communication between the author, the translator and the reader and the words used by the translator constitutes the major part in the process of communicating ideas or feelings of the author.

The process of literary translation
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